Happy Thanksgiving!

History books have long portrayed images of the US’s first Thanksgiving in Plymouth, Massachusetts, with Pilgrims, dressed in black and white, sharing turkey with American Indians. St. Augustine, the US’s oldest city, was the site of the first Thanksgiving. This first Thanksgiving took place in 1565, 55 years before the Pilgrims landed, when the Spanish founder of St. Augustine, Pedro Menindez de Avilis, and 800 Spanish settlers shared in a Mass of Thanksgiving. Following the sacrafice of the Holy Mass, Menindez ordered a communal meal to be shared by the Spaniards and the Seloy Indians who occupied the landing site. Prof. Gannon, in his book, The Cross in the Sand, states that the nation’s first Thanksgiving menu would most likely have consisted of what the Spanish settlers had with them during their voyage: cocido, a stew made from salted pork and garbanzo beans laced with garlic seasoning, hard sea biscuits, and red wine. If the Seloy natives contributed to the meal, the table would have seen wild turkey, venison, gopher-tortoise, mullet, corn, beans, and squash.

Saint Cecilia

The name of St. Cecilia has always been most illustrious in the church, and ever since the primitive ages is mentioned with distinction in the canon of the mass, and in the sacramentaries and calendars of the church. Her spouse Valerian, Tiburtius, and Maximus, an officer, who were her companions in martyrdom, are also mentioned in the same authentic and venerable writings. St. Cecilia was a native of Rome, of a good family, and educated in the principles and perfect practice of the Christian religion. In her youth she by vow consecrated her virginity to God, yet was compelled by her parents to marry a nobleman named Valerian. Him she converted to the faith, and soon after gained to the same his brother Tiburtius. The men first suffered martyrdom, being beheaded for the faith. St. Cecilia finished her glorious triumph some days after them. Their acts, which are of very small authority, make them contemporary with Pope Urban I, and consequently place their martyrdom about the year 230, under Alexander Severus; others, however, place the triumph of these martyrs under Marcus Aurelius, between the years 176 and 180. Their sacred bodies were deposited in part of the cemetery of Calixtus, which part, from our saint, was called St. Cecilia's cemetery. Mention is made of an ancient Church of St. Cecilia in Rome in the fifth century, in which Pope Symmachus held a council in the year 500. This church being fallen to decay, Pope Paschal I began to rebuild it; but was in some pain how he should find the body of the saint, for it was thought that the Lombards had taken it away, as they had many others from the cemeteries of Rome, when they besieged that city under King Astulphus in 755. One Sunday, as this pope was assisting at matins as was his wont, at St. Peter's, he fell into a slumber, in which he was advertised by St. Cecilia herself that the Lombards had in vain sought for her body, and that he should find it; and he accordingly discovered it in the cemetery called by her name, clothed in a robe of gold tissue, with linen cloths at her feet, dipped in her blood. With her body was found that of Valerian, her husband; and the pope caused them to be translated to her church in the city; as also the bodies of Tiburtius and Maximus, martyrs, and of the popes Urban and Lucius, which lay in the adjoining cemetery of Praetextatus, on the same Appian road. This translation was made in 821. Pope Paschal founded a monastery in honour of these saints, near the Church of St. Cecilia, that the monks might perform the office day and night. He adorned that church with great magnificence, and gave to it silver plate to the amount of about nine hundred pounds—among other things a ciborium, or tabernacle, of five hundred pounds weight; and a great many pieces of rich stuffs for veils and such kinds of ornaments; in one of which was represented the angel crowning St. Cecilia, Valerian, and Tiburtius. This church, which gives title to a cardinal priest, was sumptuously rebuilt in 1599 by Cardinal Paul Emilius Sfondrati, nephew to Pope Gregory XIV, when Clement VIII caused the bodies of these saints to be removed under the high altar, and deposited in a most sumptuous vault in the same church called the Confession of St. Cecilia; it was enriched in such a manner by Cardinal Paul Emilius Sfondrati as to dazzle the eye and astonish the spectator. This church of St. Cecilia is called In Trastevere, or Beyond the Tiber, to distinguish it from two other churches in Rome which bear the name of this saint.

St. Cecilia, from her assiduity in singing the divine praises (in which, according to her Acts, she often joined instrumental music with vocal), is regarded as patroness of church music. The psalms, and many sacred canticles in many other parts of the holy scripture, and the universal practice both of the ancient Jewish and of the Christian church, recommend the religious custom of sometimes employing a decent and grave music in sounding forth the divine praises. By this homage of praise we join the heavenly spirits in their uninterrupted songs of adoration, love, and praise. And by such music we express the spiritual joy of our hearts in this heavenly function, and excite ourselves therein to holy jubilation and devotion. Divine love and praise are the work of the heart, without which all words or exterior signs are hypocrisy and mockery. Yet as we are bound to consecrate to God our voices and all our organs and faculties, and all creatures which we use, so we ought to employ them all in magnifying his sanctity, greatness, and glory, and sometimes to accompany our interior affections of devotion with the most expressive exterior signs. St. Chrysostom elegantly extols the good effects of sacred music, and shows how strongly the fire of divine love is kindled in the soul by devout psalmody. St. Austin teaches that "it is useful in moving piously the mind and kindling the affections of divine love." St. Charles Borromeo in his youth allowed himself no other amusement but that of grave music, with a view to that of the church. As to music as an amusement, too much time must never be given to it; and extreme care ought to be taken, as a judicious and experienced tutor observes, that children be not set to learn it very young, because it is a thing which bewitches the senses, dissipates the mind exceedingly, and alienates it from serious studies, as daily experience shows. Soft and effeminate music is to be always shunned with abhorrence, as the corrupter of the heart and the poison of virtue.

Presentation of the Blessed Virgin Mary

Religious parents never fail by devout prayer to consecrate their children to the divine service and love, both before and after their birth. Some amongst the Jews, not content with this general consecration of their children, offered them to God in their infancy, by the hands of the priests in the temple, to be lodged in apartments belonging to the temple, and brought up in attending the priests and Levites in the sacred ministry. It is an ancient tradition, that the Blessed Virgin Mary was thus solemnly offered to God in the temple in her infancy. This festival of the Presentation of the Blessed Virgin, or, as it is often called by the Greeks, the entrance of the Blessed Virgin into the Temple, is mentioned in the most ancient Greek Menologies extant.

By the consecration which the Blessed Virgin made of herself to God in the first use which she made of her reason, we are admonished of the most important and strict obligation which all persons lie under, of an early dedication of themselves to the divine love and service. It is agreed amongst all masters of Christian morality, that everyone is bound in the first moral instant of the use of reason to convert his heart to God by love; and if divine faith be then duly proposed to him (which is the case of Christian children) by a supernatural assent to it, he is bound then to make an act of faith; also an act of hope in God as a supernatural rewarder and helper, and an act of divine charity. Who can be secure that in the very moment in which he entered into his moral life and was capable of living to God, did not stain his innocence by a capital omission of this duty? How diligent and solicitous are parents bound to be in instructing their children in the first fundamental mysteries of faith, and in the duty of prayer, and in impressing upon their tender minds a sense of spiritual things in a manner in which their age may be capable of receiving it. These first fruits of the heart are a sacrifice of which God is infinitely jealous, an emblem of which were all the sacrifices of first fruits prescribed in the old law, in token that he is our beginning and last end. Such a heart, adorned with the baptismal grace of innocence, has particular charms. Grace recovered by penance is not like that of innocence which has never been defiled; nor is it the same happiness for a soul to return to God from the slavery of sin, as for one to give him her first affections, and to open her understanding and will to his love before the world has found any entrance there. The tender soul of Mary was then adorned with the most precious graces, an object of astonishment and praise to the angels, and of the highest complacence to the adorable Trinity, the Father looking upon her as his beloved daughter, the Son, as one chosen and prepared to become his mother, and the Holy Ghost as his darling spouse.

Her first presentation to God, made by the hands of her parents and by her own devotion, was then an offering most acceptable in his sight. Let our consecration of ourselves to God be made under her patronage, and assisted by her powerful intercession and the union of her merits. If we have reason to fear that we criminally neglected this duty at the first dawning of our reason, or, if we have since been unfaithful to our sacred baptismal engagements, such is the mercy and goodness of our gracious God, that he disdains not our late offerings. But that these may be accepted by him, we must first prepare the present he requires of us, that is, our hearts. They must be washed and cleansed in the sacred laver of Christ's adorable blood, by means of sincere compunction and penance; and all inordinate affections must be pared away by our perfectly renouncing in spirit, honours, riches, and pleasures, and being perfectly disengaged from creatures, and ready to do and suffer all for God, that we may be entirely his, and that neither the world nor pride, nor any irregular passion may have any place in us. What secret affections to this or that creature lurk in our souls, which hinder us from being altogether his, unless they are perfectly cut off or reformed! This Mary did by spending her youth in holy retirement, at a distance from the commerce and corruption of the world, and by the most assiduous application to all the duties and exercises of a religious and interior life. Mary was the first who set up the standard of virginity; and, by consecrating it by a perpetual vow to our Lord, she opened the way to all virgins who have since followed her example. They, in particular, ought to take her for their special patroness, and, as her life was the most perfect model of their state, they ought always to have her example before their eyes, and imitate her in prayer, humility, modesty, silence, and retirement.

Mary lived retired until she was introduced into the world and espoused to St. Joseph. Some think her espousals were at first only a promise or betrothing: but the ends assigned by the fathers, seem rather to show them to have been a marriage. These are summed up by St. Jerome as follows: that by the pedigree of Joseph, the descent of Mary from the tribe of Juda, might be demonstrated; that she might not be stoned by the Jews as an adulteress; that, fleeing into Egypt, she might have the comfort and protection of a spouse. A fourth reason, says St. Jerome, is added by the martyr Ignatius: that the birth of the Son of God might be concealed from the devil. The words of that apostolic father are: "Three mysteries wrought by God in silence were concealed from the prince of this world. the virginity of Mary, the bringing forth of her Son, and the death of the Lord." Not that God could fear any impediment to his designs from the devil; but he was pleased to effect these mysteries in silence and without worldly show and noise, that pride and hell might, by his all-wise and sweet providence, be more meetly triumphed over, whilst the devil himself hastened his own overthrow by concurring to the mystery of the cross. From the marriage of the Blessed Virgin and St. Joseph, St. Austin shows that marriage requires no more than the mutual consent of the will between parties who lie under no impediment or inability to an indissoluble individual society of life. In this holy marriage we admire the incomparable chastity of Mary and Joseph; and the sanctity and honour, as well as the patronage and example, which that holy state receives from this mystery. In certain particular churches the espousals of the Virgin Mary and St. Joseph are honoured with an office on the 23rd of January.

St. Mechtilde

Benedictine; born in 1240 or 1241 at the ancestral castle of Helfta, near Eisleben, Saxony; died in the monastery of Helfta, 19 November, 1298. She belonged to one of the noblest and most powerful Thuringian families, while here sister was the saintly and illustrious Abbess Gertrude von Hackeborn. Some writers have considered that Mechtilde von Hackeborn and Mechtilde von Wippra were two distinct persons, but, as the Barons of Hackeborn were also Lords of Wippra, it was customary for members of that family to take their name indifferently from either, or both of these estates. So fragile was she at birth, that the attendants, fearing she might die unbaptized, hurried her off to the priest who was just then preparing to say Mass. He was a man of great sanctity, and after baptizing the child, uttered these prophetic words: "What do you fear? This child most certainly will not die, but she will become a saintly religious in whom God will work many wonders, and she will end her days in a good old age." When she was seven years old, having been taken by her mother on a visit to her elder sister Gertrude, then a nun in the monastery of Rodardsdorf, she became so enamoured of the cloister that her pious parents yielded to her entreaties and, acknowledging the workings of grace, allowed her to enter the alumnate. Here, being highly gifted in mind as well as in body, she made remarkable progress in virtue and learning.

There is another honour, inferior certainly to that of sanctity, yet great in itself and worthy of mention here: the homage of a transcendent genius was to be laid at the feet of St. Mechtilde. Critics have long been perplexed as to one of the characters introduced by Dante in his "Purgatorio" under the name of Matelda. After ascending seven terraces of a mountain, on each of which the process of purification is carried on, Dante, in Canto xxvii, hears a voice singing: "Venite, benedicti patris mei"; then later, in Canto xxviii, there appears to him on the opposite bank of the mysterious stream a lady, solitary, beautiful, and gracious. To her Dante addresses himself; she it is who initiates him into secrets, which it is not given to Virgil to penetrate, and it is to her that Beatrice refers Dante in the words: "Entreat Matilda that she teach thee this." Most commentators have identified Matilda with the warrior-Countess of Tuscany, the spiritual daughter and dauntless champion of St. Gregory VII, but all agree that beyond the name the two have little or nothing in common. She is no Amazon who, at Dante's prayer that she may draw nearer to let him understand her song, turns towards him "not otherwise than a virgin that droppeth her modest eyes". In more places than one the revelations granted to the mystics of Helfta seem in turn to have become the inspirations of the Florentine poet. All writers on Dante recognize his indebtedness to St. Augustine, the Pseudo-Dionysius, St. Bernard, and Richard of St. Victor. These are precisely the writers whose doctrines had been most assimilated by the mystics of Helfta, and thus they would the more appeal to the sympathies of the poet. The city of Florence was among the first to welcome St. Mechtilde's book. Now Dante, like all true poets, was a child of his age, and could not have been a stranger to a book which was so popular among his fellow-citizens. The "Purgatorio" was finished between 1314 and 1318, or 1319 --just about the time when St. Mechtilde's book was popular. This interpretation is supported by the fact that St. Mechtilde in her "Book of Special Grace" (pt. I, c. xiii) describes the place of purification under the same figure of a seven-terraced mountain. The coincidence of the simile and of the name, Matelda, can scarcely be accidental. For another among many points of resemblance between the two writers compare "Purgatorio", Canto xxxi, where Dante is drawn by Matelda through the mysterious stream with pt. II, c. ii. of the "Liber Specialis Gratiae". The serene atmosphere which seems to cling about the gracious and beautiful songstress, her virgin modesty and simple dignity, all seem to point to the recluse of Helfta rather than to the stern heroine of Canossa, whose hand was thrice bestowed in marriage. Besides, in politics Dante, as an ardent Ghibelline, supported the imperial pretensions and he would have been little inclined to sing the praises of the Tuscan Countess. The conclusion may therefore be hazarded that this "Donna Matelda" of the "Purgatorio" personifies St. Mechtilde as representing mystic theology.There is another honour, inferior certainly to that of sanctity, yet great in itself and worthy of mention here: the homage of a transcendent genius was to be laid at the feet of St. Mechtilde. Critics have long been perplexed as to one of the characters introduced by Dante in his "Purgatorio" under the name of Matelda. After ascending seven terraces of a mountain, on each of which the process of purification is carried on, Dante, in Canto xxvii, hears a voice singing: "Venite, benedicti patris mei"; then later, in Canto xxviii, there appears to him on the opposite bank of the mysterious stream a lady, solitary, beautiful, and gracious. To her Dante addresses himself; she it is who initiates him into secrets, which it is not given to Virgil to penetrate, and it is to her that Beatrice refers Dante in the words: "Entreat Matilda that she teach thee this." Most commentators have identified Matilda with the warrior-Countess of Tuscany, the spiritual daughter and dauntless champion of St. Gregory VII, but all agree that beyond the name the two have little or nothing in common. She is no Amazon who, at Dante's prayer that she may draw nearer to let him understand her song, turns towards him "not otherwise than a virgin that droppeth her modest eyes". In more places than one the revelations granted to the mystics of Helfta seem in turn to have become the inspirations of the Florentine poet. All writers on Dante recognize his indebtedness to St. Augustine, the Pseudo-Dionysius, St. Bernard, and Richard of St. Victor. These are precisely the writers whose doctrines had been most assimilated by the mystics of Helfta, and thus they would the more appeal to the sympathies of the poet. The city of Florence was among the first to welcome St. Mechtilde's book. Now Dante, like all true poets, was a child of his age, and could not have been a stranger to a book which was so popular among his fellow-citizens. The "Purgatorio" was finished between 1314 and 1318, or 1319 --just about the time when St. Mechtilde's book was popular. This interpretation is supported by the fact that St. Mechtilde in her "Book of Special Grace" (pt. I, c. xiii) describes the place of purification under the same figure of a seven-terraced mountain. The coincidence of the simile and of the name, Matelda, can scarcely be accidental. For another among many points of resemblance between the two writers compare "Purgatorio", Canto xxxi, where Dante is drawn by Matelda through the mysterious stream with pt. II, c. ii. of the "Liber Specialis Gratiae". The serene atmosphere which seems to cling about the gracious and beautiful songstress, her virgin modesty and simple dignity, all seem to point to the recluse of Helfta rather than to the stern heroine of Canossa, whose hand was thrice bestowed in marriage. Besides, in politics Dante, as an ardent Ghibelline, supported the imperial pretensions and he would have been little inclined to sing the praises of the Tuscan Countess. The conclusion may therefore be hazarded that this "Donna Matelda" of the "Purgatorio" personifies St. Mechtilde as representing mystic theology.

Ten years later (1258) she followed her sister, who, now abbess, had transferred the monastery to an estate at Helfta given her by her brothers Louis and Albert. As a nun, Mechtilde was soon distinguished for her humility, her fervour, and that extreme amiability which had characterized her from childhood and which, like piety, seemed hereditary in her race. While still very young, she became a valuable helpmate to Abbess Gertrude, who entrusted to her direction the alumnate and the choir. Mechtilde was fully equipped for her task when, in 1261, God committed to her prudent care a child of five who was destined to shed lustre upon the monastery of Helfta. This was that Gertrude who in later generations became known as St. Gertrude the Great. Gifted with a beautiful voice, Mechtilde also possessed a special talent for rendering the solemn and sacred music over which she presided as domna cantrix. All her life she held this office and trained the choir with indefatigable zeal. Indeed, Divine praise was the keynote of her life as it is of her book; in this she never tired, despite her continual and severe physical sufferings, so that in Hisrevelations Christ was wont to call her His "nightingale". Richly endowed, naturally and supernaturally, ever gracious, beloved of all who came within the radius of her saintly and charming personality, there is little wonder that this cloistered virgin should strive to keep hidden her wondrous life. Souls thirsting for consolation or groping for light sought her advice; learned Dominicans consulted her on spiritual matters. At the beginning of her own mystic life it was from St. Mechtilde that St. Gertrude the Great learnt that the marvellous gifts lavished upon her were from God.

Only in her fiftieth year did St. Mechtilde learn that the two nuns in whom she had especially confided had noted down the favours granted her, and, moreover, that St. Gertrude had nearly finished a book on the subject. Much troubled at this, she, as usual, first had recourse to prayer. She had a vision of Christ holding in His hand the book of her revelations, and saying: "All this has been committed to writing by my will and inspiration; and, therefore you have no cause to be troubled about it." He also told her that, as He had been so generous towards her, she must make Him a like return, and that the diffusion of therevelations would cause many to increase in His love; moreover, He wished this book to be called "The Book of Special Grace", because it would prove such to many. When the saint understood that the book would tend to God's glory, she ceased to be troubled, and even corrected the manuscript herself. Immediately after her death it was made public, and copies were rapidly multiplied, owing chiefly to the widespread influence of the Friars Preachers. Boccaccio tells how, a few years after the death of Mechtilde, the book of her revelations was brought to Florence and popularized under the title of "La Laude di donna Matelda". It is related that the Florentines were accustomed to repeat daily before their sacred images the praises learned from St. Mechtilde's book. St. Gertrude, to whose devotedness we owe the "Liber Specialis Gratiae" exclaims: "Never has there arisen one like to her in our monastery; nor, alas! I fear, will there ever arise another such!" -- little dreaming that her own name would be inseparably linked with that of Mechtilde. With that of St. Gertrude, the body of St. Mechtilde most probably still reposes at Old Helfta thought the exact spot is unknown. Her feast is kept 26 or 27 February in different congregations and monasteries of her order, by special permission of the Holy See.

(Taken from Catholic Encyclopedia)